It’s amazing to think that one person can capture the scene a night so vividly as Vincent Van Gough does. His work is not that of the realistic view he is more of the impressionist view. It is not an easy thing to convey in such reach colours especially as the night is black. This is a Paris before the days of light pollution. The Stars speak and shout their joyous movement across the sky proclaiming to all the window that they bring. If Van Gogh could have painted this scene indoors but was influenced by the world around him. If you are inspired to paint the night sky because you can see it through the damage in your roof then it really is time to contact a Roofer Gloucester company such as http://gloucester-roofer.co.uk/. You are much better off taking a wander of a summer evening to capture the feeling of the night sky than staring through a whole in your roof.
Van Gogh was an impressionist broke away from the realistic painting that was the norm of the time. It was seen as more important to capture the likeness of a scene rather than the impression. The patrons were mainly upper class, upper middle and aristocratic patrons that wanted the family portrait or the betrothed to be captured for posterity and kept on a wall. They also wanted paints of their assets and land so that their wealth could be admired and commented on. Paints and portraits were symbols of power and wealth to remind those that come after what great achievements they patron had done.
This is one of the reasons why Van Gogh remained penniless and struggling. It is also thought to be a contributing factor to his frequent bouts of depression and there is some evidence that he was bi-polar as well. The point is that when he painted he painted from the heart and with his eye. He wanted the impression of the scene. It was his mission, and other impressionists after to draw out the colour of the scene and interpret it in such a way as to illustrate what the scene looks like to the artist.
This view and style met with little rich takers, the fact that he concerned himself with subjects that they found uninteresting or irrelevant did not help. He painted Belgian coal miners as he believed that he saw life, decency and integrity in their daily battles with poverty, disasters and the elements. He wandered the French Countryside feeling the world and feeling the colours and showing us how they worked in the world. It is only now that we are starting to appreciate the world that he saw through his paintings. If only he were alive to hear us today.